Jump to content
SAU Community

Recommended Posts

  • Replies 492
  • Created
  • Last Reply

Top Posters In This Topic

Top Posters In This Topic

Posted Images

I wouldn't worry about it too much unless you're into it and that's specifically what you want to play. It takes mountains of time and obviously a correct technique, but it is doable. I can't get into the whole speed guitar thing anymore, lost interest and speed many years ago.

I wouldn't worry about it too much unless you're into it and that's specifically what you want to play. It takes mountains of time and obviously a correct technique, but it is doable. I can't get into the whole speed guitar thing anymore, lost interest and speed many years ago.

i learnt on a 35 year old masaru kohno japanese/spanish acoustic....

picking was a no no

fingerpicking = uber

i ended up playing my electrics like the spanish, without a pick. my fingers paid the price... i can simultaneously play bass and lead on a single guitar but double picking and hammeron hammer off is still beyond me

-D

Never too late to learn Ben. Flat (modern guitar) fretboard + low action = easy speed.

Maybe u can give me some tips steve. where are ya ? pm me ya details

i have an 86 fender telecaster heavy metal edition. only problem is the floating trem is cactus so imma replace it with an EVH transtrem. i never learnt how to use a tremolo bar, so probably the fixed bridge gibson would be best for me but i'd like yr opinion.

i got an EH Big Muff Pi, sovtek version, (late sovtek so its pretty much accurate), a marshall JMP 1 preamp and a fender frontman 212R

and i got a c-port DSP24 with 8 channel real time multichannel recording @ 24 bit /192 khz

-D

wtf. this has got to be one of the most filthy disgusting tunes. I f'n love it. played it 23 times loud.

Cant wait to mix it

http://www.youtube.com/watch?v=aRP9vDFZrj8...feature=related

dubstep is cool!

as a dubstep producer you could probably adapt so many different styles of sounds - techno, prog, and real grimey stuff like that above^

i reckon its a pretty big movement of a genre and will always have a good following - like drum & bass. Rather than like some genres that die in the arse i.e breaks...

Unless, it becomes commercialised and overdone like breaks did, then things can head downhill!

on another note; Anyone heading to BDO 2010???

'sold out' already. Hard to believe. I think its the usual promoter stunt so people to throw themselves at a second round release of tickets

I'm pretty keen to go, but not a ticket holder yet...

VERY keen to watch a set from this guy.

Sasha hasn't played in Adelaide for YEARS! He's playing all BDO's. Although I'd just hope they give him the closing set, and for at least 2hours - pretty pointless giving a progressive DJ (and the world's biggest) anything less!

Yeah I just missed out on the last bdo tickets. one of my mates got one of the last few tickets. Went real quick

I like listening to some real heavy metal music too. Love the drumming etc.

Luciano. you get that name from the producer ?

^ who, this dude: http://www.discogs.com/artist/Luciano -great techno/minimal DJ he is. Havent heard much of his production work

but nah, thats actually my real name on the birth certificate... named after my grandfather! i just go by Luke Luciano <insertsurnamehere> for ID's, accounts etc

  • 2 weeks later...

Pretty awesome Vinnie! thats one very technologically advanced piece of kit. i love the whole concept of digital - cdjs, serato, final skratch, midi controllers etc.

But, some of the features - who the hell is gonna use them in a live set! I think a lot of its there for the wow factor.

yee they look pretty good bit outta my price range...lookin at getting 2x cdj1000 mk3's and a djm800 if i can get the cash if not looks like i'll be getting cdj400's and a djm 400

haha Damo, this shit aint cheap hey. i actually expected them to be over 2.5k each.

1000's are still pretty pricey, unless you find some second hand for a good deal. But seeing as every trainspotting clubber wants to get their hands on a pair, good deals disappear quickly/are hard to find.

I'd personally go for the 400s brand new. Good unit.

Each to their own though! f**k digital >_<

im pretty sure craig (PREISS) had/has his DJM400 up for sale too Vinnie

Create an account or sign in to comment

You need to be a member in order to leave a comment

Create an account

Sign up for a new account in our community. It's easy!

Register a new account

Sign in

Already have an account? Sign in here.

Sign In Now



  • Similar Content

  • Latest Posts

    • Input shaft bearing. They all do it. There is always rollover noise in Nissan boxes - particularly the big box. Don't worry about it unless it gets really growly.
    • For once a good news  It needed to be adjusted by that one nut and it is ok  At least something was easy But thank you very much for help. But a small issue is now(gearbox) that when the car is stationary you can hear "clinking" from gearbox so some of the bearing is 100% not that happy... It goes away once you push clutch so it is 100% gearbox. Just if you know...what that bearing could be? It sounding like "spun bearing" but it is louder.
    • Yeah, that's fine**. But the numbers you came up with are just wrong. Try it for yourself. Put in any voltage from the possible range and see what result you get. You get nonsense. ** When I say "fine", I mean, it's still shit. The very simple linear formula (slope & intercept) is shit for a sensor with a non-linear response. This is the curve, from your data above. Look at the CURVE! It's only really linear between about 30 and 90 °C. And if you used only that range to define a curve, it would be great. But you would go more and more wrong as you went to higher temps. And that is why the slope & intercept found when you use 50 and 150 as the end points is so bad halfway between those points. The real curve is a long way below the linear curve which just zips straight between the end points, like this one. You could probably use the same slope and a lower intercept, to move that straight line down, and spread the error out. But you would 5-10°C off in a lot of places. You'd need to say what temperature range you really wanted to be most right - say, 100 to 130, and plop the line closest to teh real curve in that region, which would make it quite wrong down at the lower temperatures. Let me just say that HPTuners are not being realistic in only allowing for a simple linear curve. 
    • I feel I should re-iterate. The above picture is the only option available in the software and the blurb from HP Tuners I quoted earlier is the only way to add data to it and that's the description they offer as to how to figure it out. The only fields available is the blank box after (Input/ ) and the box right before = Output. Those are the only numbers that can be entered.
    • No, your formula is arse backwards. Mine is totally different to yours, and is the one I said was bang on at 50 and 150. I'll put your data into Excel (actually it already is, chart it and fit a linear fit to it, aiming to make it evenly wrong across the whole span. But not now. Other things to do first.
×
×
  • Create New...